PV Orchestra

Main Menu

  • Home
  • Orchestra concert
  • Classical orchestra
  • Popular orchestra
  • Orchestra opera

PV Orchestra

Header Banner

PV Orchestra

  • Home
  • Orchestra concert
  • Classical orchestra
  • Popular orchestra
  • Orchestra opera
Popular orchestra
Home›Popular orchestra›South Bend Symphony Orchestra’s ‘American Composers’ Celebrate Legacy of Works by African American Composers

South Bend Symphony Orchestra’s ‘American Composers’ Celebrate Legacy of Works by African American Composers

By George M. Ortiz
April 1, 2022
0
0

The South Bend Symphony Orchestra American Composers Concert on April 2, 2022 is a rich legacy of works by African American composers. Prioritizing the implementation of diversity in the 2021-22 season, the fourth concert in the Jack M. Champaigne Masterworks Series will feature works by African-American composers exclusively for the first time in the Symphony’s history.

American Composers presents A Joyous Trilogy by Quinn Mason, Piano Concerto in One Movement by Florence Prizeand the Negro Folk Symphony of William Dawson as a testament to Symphony’s Equity, Diversity and Inclusion statement in action.

For A Joyous Trilogy, Quinn Mason writes that he “wanted to create a composition that was the
the very embodiment of happiness and cheerfulness, an accessible work that would put any listener in a good mood.” The first movement, “Running”, gives the impression; the endless movement of the musicians and the energy relentless of this section has the audience rushing with it. Although it seems like the excitement doesn’t stop, ‘Running’ runs into
“Reflection”, Mason’s second movement. This section is a sudden change that is a tender and
reflective movement causing audience members to move inward and examine
themselves and their thoughts. Finally, we come to the last movement, ‘Renouveau’ which chooses
some of that energy returns though, becoming more vibrant and bouncy. This fun complex
section follows through to the end of the play, leaving the audience exuberant and ready for
Continued!

Next comes the Piano Concerto in one movement of Florence Prize interpreted by the always talented Michelle Cann. Although it is technically in one movement, there are three distinct movements
sections played without pause. The first begins with a slow introduction, relieving the audience
and carefully welcome them into Price’s world. The room then quickly passes to the urgent
and melodious primary section. The concerto ends with a playful example of a juba, a
folk dance that was popular in the years before the Civil War, and a memorial to those before
his.

Ultimately, William DawsonThe Negro Folk Symphony ends this reflective evening. Also
represented in three parts this piece opens with ‘The Bond of Africa’ containing a soaring blues
gesture of a solo French horn. Not even a minute, however, the ropes cut off with a tender
cinematic-like snippet drawing the audience to fully anticipate a spectacular performance. In
the second movement, “Hope in the Night”, Dawson describes the atmosphere of a people who
gone through the horrors of slavery but with a three gong, designating the Trinity, a
symbol of hope that guides man through the night. To end the piece, the third movement,
‘O Le’ Me Shine, Shine Like A Morning Star!’ Dawson takes a lighter perspective. Here he
incorporates two African-American melodies, “O Le’ Me Shine, Le’ Me Shine Like A Mornin’

PERFORMANCE DETAILS:

TICKETS

IN LINE – www.morriscenter.org/events/category/symphony

PHONE – Morris Performing Arts Center box office, 574-235-9190 (10 a.m. to 2 p.m.,

Tuesday Thursday)

IN PERSON – Visit our friends at Morris (211 N. Michigan St., South Bend) during

the times indicated above or two hours before any performance.

SEE the 2021-22 season calendar, visit www.southbendsymphony.org.

Categories

  • Classical orchestra
  • Orchestra concert
  • Orchestra opera
  • Popular orchestra

Recent Posts

  • Tracy Dahl, fellow Manitoba Opera gear up for in-person audience
  • ‘Music of Anime’ and ‘Opera Lite’ Concerts by Surrey City Orchestra Players and Singers – Surrey Now-Leader
  • Review: Amadeus Chamber Orchestra Concert at St Albans
  • Orchestra of Florida Announces Season’s Masterpieces Series
  • Opera director Floris Visser rethinks LA BOHEME for its Glyndebourne debut

Archives

  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • July 2019
  • May 2019
  • April 2019
  • March 2019
  • December 2018
  • November 2018
  • October 2018
  • August 2018
  • July 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • November 2017
  • October 2017
  • July 2017
  • June 2017
  • March 2017
  • February 2017
  • January 2017
  • November 2016
  • February 2016
  • April 2015
  • January 2013
  • November 2012
  • Privacy Policy
  • Terms and Conditions